Quick overview of musician Yura Yang by associated keywords
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Concerts featuring Yura Yang in season 2024/25 or later
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Weber's 1817 opera "Der Freischütz" tells the story of Max, a hunter whose future depends on a shooting trial. Overwhelmed by pressure, he considers a pact with the devil, a path already taken by Kaspar. Max's fiancée, Agathe, shares his anxieties about fate. The opera explores themes of societal pressures, fear of failure, and the battle between good and evil in a world where the characters' beliefs shape their actions. Weber's music captures the anxieties of a generation, making "Der Freischütz" a landmark work of German Romantic opera.
Love, jealousy, and death take center stage in Andreas Homoki and Frank Philipp Schlößmann's production of Verdi's opera. The minimalist staging emphasizes raw emotions and powerful music. Recommended for ages 15 and up.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Weber's 1817 opera "Der Freischütz" tells the story of Max, a hunter whose future depends on a shooting trial. Overwhelmed by pressure, he considers a pact with the devil, a path already taken by Kaspar. Max's fiancée, Agathe, shares his anxieties about fate. The opera explores themes of societal pressures, fear of failure, and the battle between good and evil in a world where the characters' beliefs shape their actions. Weber's music captures the anxieties of a generation, making "Der Freischütz" a landmark work of German Romantic opera.
Love, jealousy, and death take center stage in Andreas Homoki and Frank Philipp Schlößmann's production of Verdi's opera. The minimalist staging emphasizes raw emotions and powerful music. Recommended for ages 15 and up.
Weber's 1817 opera "Der Freischütz" tells the story of Max, a hunter whose future depends on a shooting trial. Overwhelmed by pressure, he considers a pact with the devil, a path already taken by Kaspar. Max's fiancée, Agathe, shares his anxieties about fate. The opera explores themes of societal pressures, fear of failure, and the battle between good and evil in a world where the characters' beliefs shape their actions. Weber's music captures the anxieties of a generation, making "Der Freischütz" a landmark work of German Romantic opera.
"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.
"Die Geschichte des Bambussammlers oder der Prinzessin Kaguya" ist die älteste märchenhaft-romantische Erzählung Japans und geht auf das Jahr 900 zurück. Bei seiner Arbeit entdeckt ein kinderloser Bambussammler ein Findelkind, das er gemeinsam mit seiner Frau wie sein eigenes Kind großzieht. Das strahlend schöne Kind ist als Geschenk des Mondes auf die Erde geschickt worden, und auch wenn ihre Schönheit mächtige Männer als Brautbewerber auf den Plan ruft: Kaguya ist die Prinzessin des Mondes und muss dorthin zurückkehren. Der französische Choreograph Martin Chaix ist kein Unbekannter in Leipzig. Von 2006 bis 2009 war er als Solist am Leipziger Ballett unter Paul Chalmer engagiert. Seit 2015 arbeitet er als freischaffender Choreograph für internationale renommierte Ensembles wie das Ballet de l'Ope?ra national du Rhin, das Ballet de l'Ope?ra national de Paris oder das Ballett am Rhein, Düsseldorf. Seine präzise, emotionale und hochmusikalische Bewegungssprache lebt von einer tiefen Menschlichkeit. Für "Die Mondprinzessin" erkundet Martin Chaix den Reichtum der japanischen Legende und erzählt eine Geschichte von Familie und Heimat, von Zugehörigkeit und Verpflichtungen in einer herausfordernden Welt.
Weber's 1817 opera "Der Freischütz" tells the story of Max, a hunter whose future depends on a shooting trial. Overwhelmed by pressure, he considers a pact with the devil, a path already taken by Kaspar. Max's fiancée, Agathe, shares his anxieties about fate. The opera explores themes of societal pressures, fear of failure, and the battle between good and evil in a world where the characters' beliefs shape their actions. Weber's music captures the anxieties of a generation, making "Der Freischütz" a landmark work of German Romantic opera.
Willkommen in der rätselhaften Märchenwelt der ≫Zauberflöte≪! Schon die Namen der Charaktere klingen magisch und erinnern uns an unsere ersten Opernbesuche: Tamino, Pamina, Papageno, Sarastro … Kaum ein Werk der Opernliteratur enthält so viel Gegensätzliches, durch Mozarts Musik so harmonisch zu einem Ganzen gefügt. Ist seine wohl beliebteste Oper eine abenteuerliche Geschichte vom Erwachsenwerden? Eine Parabel von Weisheit, Philosophie und Freundschaft? Geht es darum, einfach man selber zu bleiben, so wie der Vogelfänger Papageno? Er begleitet Prinz Tamino, der sich in ein Bild der entführten Pamina verliebt hat und sie befreien will. Wir werden daran erinnert, dass sich die Welt nicht immer in Gut und Böse einteilen lässt: Die Königin der Nacht und Sarastro zeigen uns dies durch ihren Streit um Pamina. Auf unserer Reise begleiten uns auch drei Damen, drei Knaben, ein Glockenspiel, eine Flöte, die selbst wilde Tiere zähmt. Und was hat es mit den drei Prüfungen auf sich, die Tamino und Pamina bestehen müssen, um zu den Eingeweihten zu gehören? Findet sich für Papageno auch eine Papagena? Fragen über Fragen, die in unserer ersten Neuproduktion der Spielzeit mit viel Witz und Zauber beantwortet werden! Altersempfehlung: Aufgrund der Spieldauer liegt unsere Altersempfehlung bei 12 Jahren. Der familienfreundliche Stil der Inszenierung ist aber auch für jüngere Kinder ab ca. 8 Jahren geeignet. Hinweis: Enthält Abfolge von blinkenden Lichtern und Mustern.
"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.
"Die Geschichte des Bambussammlers oder der Prinzessin Kaguya" ist die älteste märchenhaft-romantische Erzählung Japans und geht auf das Jahr 900 zurück. Bei seiner Arbeit entdeckt ein kinderloser Bambussammler ein Findelkind, das er gemeinsam mit seiner Frau wie sein eigenes Kind großzieht. Das strahlend schöne Kind ist als Geschenk des Mondes auf die Erde geschickt worden, und auch wenn ihre Schönheit mächtige Männer als Brautbewerber auf den Plan ruft: Kaguya ist die Prinzessin des Mondes und muss dorthin zurückkehren. Der französische Choreograph Martin Chaix ist kein Unbekannter in Leipzig. Von 2006 bis 2009 war er als Solist am Leipziger Ballett unter Paul Chalmer engagiert. Seit 2015 arbeitet er als freischaffender Choreograph für internationale renommierte Ensembles wie das Ballet de l'Ope?ra national du Rhin, das Ballet de l'Ope?ra national de Paris oder das Ballett am Rhein, Düsseldorf. Seine präzise, emotionale und hochmusikalische Bewegungssprache lebt von einer tiefen Menschlichkeit. Für "Die Mondprinzessin" erkundet Martin Chaix den Reichtum der japanischen Legende und erzählt eine Geschichte von Familie und Heimat, von Zugehörigkeit und Verpflichtungen in einer herausfordernden Welt.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Leipzig Ballet, under Rémy Fichet, presents "Humans," a double bill exploring creative and abstract dance narratives. Louis Stiens examines dance's embodiment, its impact on choreography, and Leipzig Ballet's history, linking to Schubert's "Unfinished" Symphony. Sofia Nappi blends ballet, contemporary dance, and performance, exploring Baroque and modern elements with music by Clara Schumann and Henry Purcell, reflecting on femininity across eras.
Undine, a female water creature, can only gain an immortal soul by marrying an earthly man. She marries Knight Hugo, but warns him, if her love is betrayed, she must kill him and return to the water. Lortzing's opera, though he had to leave Leipzig, returns with poetry and power.
Undine, a female water creature, can only gain an immortal soul by marrying an earthly man. She marries Knight Hugo, but warns him, if her love is betrayed, she must kill him and return to the water. Lortzing's opera, though he had to leave Leipzig, returns with poetry and power.
"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.
Undine, a female water creature, can only gain an immortal soul by marrying an earthly man. She marries Knight Hugo, but warns him, if her love is betrayed, she must kill him and return to the water. Lortzing's opera, though he had to leave Leipzig, returns with poetry and power.
"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.
"The Tale of the Bamboo Cutter" is Japan's oldest romantic tale, dating back to 900 AD. A bamboo cutter finds and raises a moon-sent child, Kaguya. Despite attracting suitors, Kaguya is a moon princess and must return. Choreographer Martin Chaix explores this legend in "The Moon Princess," portraying themes of family, belonging, and obligation.
A Black Box in theater is a simple, usually square, black-walled performance space. Its simplicity allows for diverse stage and audience interaction configurations. Leipzig Ballet's "Black Box" focuses on various choreographic languages, showcasing works from within the ensemble. Choreographers Marcelino Libao, Vinzenco Timpa, and Daniel Róces Gómez explore Bach's music in "Black Box," collaborating with the Bachfest Leipzig for a choreographic case study in various artistic expressions.
A Black Box in theater is a simple, usually square, black-walled performance space. Its simplicity allows for diverse stage and audience interaction configurations. Leipzig Ballet's "Black Box" focuses on various choreographic languages, showcasing works from within the ensemble. Choreographers Marcelino Libao, Vinzenco Timpa, and Daniel Róces Gómez explore Bach's music in "Black Box," collaborating with the Bachfest Leipzig for a choreographic case study in various artistic expressions.
A Black Box in theater is a simple, usually square, black-walled performance space. Its simplicity allows for diverse stage and audience interaction configurations. Leipzig Ballet's "Black Box" focuses on various choreographic languages, showcasing works from within the ensemble. Choreographers Marcelino Libao, Vinzenco Timpa, and Daniel Róces Gómez explore Bach's music in "Black Box," collaborating with the Bachfest Leipzig for a choreographic case study in various artistic expressions.
A Black Box in theater is a simple, usually square, black-walled performance space. Its simplicity allows for diverse stage and audience interaction configurations. Leipzig Ballet's "Black Box" focuses on various choreographic languages, showcasing works from within the ensemble. Choreographers Marcelino Libao, Vinzenco Timpa, and Daniel Róces Gómez explore Bach's music in "Black Box," collaborating with the Bachfest Leipzig for a choreographic case study in various artistic expressions.
A Black Box in theater is a simple, usually square, black-walled performance space. Its simplicity allows for diverse stage and audience interaction configurations. Leipzig Ballet's "Black Box" focuses on various choreographic languages, showcasing works from within the ensemble. Choreographers Marcelino Libao, Vinzenco Timpa, and Daniel Róces Gómez explore Bach's music in "Black Box," collaborating with the Bachfest Leipzig for a choreographic case study in various artistic expressions.
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